PHOTO ESSAY: THROUGH THE MOM-AND-POP LOOKING GLASS

A PHOTOGRAPHER CAPTURES THE SPIRIT OF THE FADING WORLD OF MALL-TOWN, STOREFRONT DISPLAY WINDOWS



David Ensminger is an instructor of English, the humanities, and folklore at Lee College in Baytown, Texas. His books include, among others, Visual Vitriol: The Street Art and Subcultures of the Punk and Hardcore Generation (University Press of Mississippi, 2011) and Mojo Hand: The Life and Music of Lightnin’ Hopkins (University of Texas Press, 2013).


by David Ensminger


For years, around the United States, I’ve been photographing store-window displays that I’ve associated with the world of mom-and-pop capitalism — the windows of shops that are one-off, family-run, and independent. As holdouts among the world of corporate-conglomerate, big-box retailers, they remain some of the last idiosyncratic spaces in American street life.

Two photographs by David Ensminger: Left, “Houston,” 2010; right: “New Orleans,” 2021. Both images ©2022 David Ensminger; used by permission
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